Christmas CraigsList: Ho Ho Sew

It's that time of the year again:  my annual CraigsList Christmas sale of vintage sewing machines.  If you want to see the ads, visit Raleigh CraigsList and type dragonpoodle into the search box.  Or just click this link.  This, however, is the only place to see the entire Christmas collection, including ones that have already been sold and ones that have not yet been listed.

I assume if you are reading this blog you like to look at pictures of vintage sewing machines.  Long time readers will have seen many of these before. 

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Fuschia pink Morse, Japanese straight-stitcher

This is the best color I have ever seen on a sewing machine.  Too bad it is so faded on the back.

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Adler Belvedere

Coolest looking vintage machine.  Ever.  Too bad it has a plastic gear.  This one is not broken---yet.  All fully disclosed in the ad.

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American Home, Japanese zigzagger by Sanshin

SOLD.  Another really cool solid tank of a machine.  Sold to a nice young woman who bought it for her husband, who wants to learn to sew and repair backpacks and such. You gotta love a woman who buys her husband a sewing machine for Christmas.

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Another Japanese zigzagger.  Badge quite obviously missing.

SOLD to a man who wants to experiment with making sail boat covers.  We had a discussion about domestic versus industrial for his task, and I advised him to keep an eye open on CraigsList for a Sailrite machine.  But he decided to get this one first, and perhaps make more of an investment in an industrial after he sees how the job works out.  He's a former sail maker so I was confident that he knows what he is doing.

I took the photos and wrote the CraigsList ads as I finished rehabbing each machine.   That was a big improvement over last year when I left all of that to the last minute.  I am slowly learning how to take better pictures than the one above.

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Pink Atlas, made by Brother.  Japanese straight stitcher

 SOLD to Barbara, who bought a Singer 301 black longbed from me last year.  The woman knows her sewing machines.  Another gorgeous machine, although showing its age a bit more than the photos reveal.  The clear coat is crazed and there are some chips.




This one is the full package, however.  Original case, accessories, and manuals.

It's all PINK, too. The accessories box, the case, and even the covers of the manuals.















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The hard-to-find BelAir Bantam, knockoff of the Singer 99 but in ALUMINUM.  Weighs 22 pounds in the case.  

This appears to be the complete original package, with manual and original dated warranty.  Originally guaranteed for TWENTY YEARS (expired in 1971). 

The case shows wear but the machine is gorgeous.  And if you go looking at my CL ad you will see that I have priced this at the "make me happy" price point.  Some of them I am just trying to clear out and I know I will have the opportunity to acquire more.  This one I am not expecting to find again, not really sure I want to sell it.  But if somebody wants to make me happy, well then.....it could be theirs.

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SOLD to a fellow onion.  Onion is short for "treadleonian", a fellow treadle and people powered machine fan.  LOTS of people drooled over this one, and if I were willing to ship I could have sold it several times over.  It's really cute and I will miss having it around here!

Here's another rare beauty, the Kenmore model 11.  I added the hand crank but the original motor also comes with the machine.  This one is also "collectible" but it is missing a decorative button thingy that covers the access point just above the tensioner.  So I did not price it as "collectible".

The machine is from the 1970s, but the long bobbin shuttle system was obsolete by about 1920.  Go figure.

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SOLD to a nice young man from my own little town who bought it for his wife.
This is my top-of-the-line, whiz-bang, does everything but wash the dishes machine.  Kenmore 158.1914, one of the two most sought-after vintage Kenmores.   What makes it so wonderful?  Besides the all-metal solid vintage construction, that is...

It has a free arm, not unknown among classic vintage machines, but certainly not common.

It uses a cam system to create all of these construction and decorative stitches.  Sure, lots of vintage machines have cam systems.  But very few have the forward-and-backward capability to create stretch stitches.  And you can make some extra-cute decorative stitches with the forward-and back system.  Like a row of little duckies, for example.

It comes with ALL the bells and whistles.  All the cams.  A monogrammer with all the letters and numbers.  A buttonholer with all of its cams.

Because I used this as my go-to machine in the studio for several months, you even get a parts cabinet with all the presser feet and other goodies.  I like my presser feet CLEARLY labeled so that I can lay my hands on what I want within seconds.

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and a trio of 3/4 Singer straight stitchers, all adapted to hand crank use (motors available upon request).  These make dandy machines for teaching children to sew, or for taking with you in your RV or to your remote cabin.

Singer 99

Singer 192, Spartan

Singer 185

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and a pair of the wonderful Singer 301s.  One in black, one in mocha.  The mocha one is SOLD.

Singer 301, in cabinet with cradle

and the mocha one, much prettier in person

with a zigzagger and all the stitch cams

in a nice cabinet with cradle, and sewing stool with storage

 If you don't know the 301s, well, you should.  They are aluminum rather than cast iron, mechanically very similar to the Featherweights, but a full size machine.  They sew much faster than most vintage machines.  They sit in a special cradle when installed in a cabinet, and you can pop them in and out of it in seconds--great for taking to quilting classes or workshops. 

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Another trio, this time of some of my personal faves, the aqua blue Singers of the mid 1960s.  These were mid-range rather than top-of-the-line machines, but a mid-range all metal vintage machine can still sew rings around a modern plastic machine.  They are a bit loud, however.

Singer 337

The 337 is a zig-zag machine (no cams).  Last Christmas the simple zig-zag machines were the best sellers.  Very easy to learn to use.

Singer 338

SOLD to a nice young woman who is getting ready to go to college and will take this with her.
The 338 uses Singer flat cams, my favorite cam system for ease of use.  And of course if you are not interested in other stitches, you can just leave the zig-zag cam in it and ignore the other stitches!

Singer 348

Sigh.  I bought a 348 in 1968 and sewed on it (LOTS) until the year 2000 when it laid down and died.  I very, very stupidly threw it away, thinking that surely I deserved a nice new machine after 32 years.  The plastic machine that replaced it lasted 18 months. I could have just repaired or replaced the motor on the 348 and I would still be sewing on the machine that took me from hippie dresses made from Indian bedspreads, through sewing for three kids, countless home dec projects, and into quilting. (Wipes away a tear).

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WITHDRAWN.  Two years in a row I have talked a potential buyer out of buying this machine (they both chose something else).  I just don't believe in this machine.  I can't really recommend the bobbin system.  It's noisy to the point of being worrisome.  And then I discovered that the needle position lever is not working. I don't sell things that have known problems.  But before I withdrew it, this is what I said:

I even have a Touch N Swear Sew on offer.  Although these machines have a bad reputation, the earliest ones still have the all-metal internal construction (which is all I buy).  This one is from the earliest line of Touch N Sew, a 603.  My aunt has a 603 that she loves, and actually replaced her original one with another one of the same model.  One of the big selling points of the Touch N Sews is that they wind the bobbin in the machine, which seems very silly to me but hey, whatever floats your boat.

The 601 would have been top-of-the-line, with a built in camstack.  The 603 does not have the cam stack, but instead takes one cam at a time.  I feel the same way about camstacks that I feel about power windows in cars:  something expensive is just WAITING to go wrong.  I really prefer the one-cam-at-a-time approach, and for another reason too:  I don't have to get the manual out every time I want to change a stitch pattern.  Not a problem if you sew on one machine all the time, you learn its little ways, but I sew on dozens of machines.

For me the real appeal of the 603, and the reason I bought it, is that it will do a chain stitch.  Chain stitches use just the top thread, no bobbin thread, and make a stitch that is easily removeable--find the right end and just pull it out.   Fabulous wherever you need a temporary seam.

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Sorry, but I do not ship machines. Nor will I hold them for you, or sell you one sight-unseen (ie, hold one for you that you paid for in advance).  But if you are in or near the Research Triangle region of North Carolina, that's where I am too.

I will, however, cart anything not sold to the next NC TOGA upon request, where you can check it out before deciding whether to buy it or not.  Contact me at the end of January if you are interested in seeing something at the TOGA (Treadle On Gathering and Academy).  Special pricing on many of them for TOGA-teers, who generally do their own mechanical work and don't usually buy at retail prices.

DIY Water Slide Decals

As promised, and at long last, here is the information about how I created and applied the waterslide decals for Shield Maiden.

The Supply List And Quick Directions

I bought the decals and chemicals from amazon.com.  Sadly they do not pay me to endorse them. As usual I am going to link you to the exact products that I bought, but remember that this was the very first time I ever did this.  So I have no way of knowing if these products are the best, the best value, or anything like that.  The links are meant to be helpful or maybe just to give you a starting point.  You can learn a tremendous amount by reading the product reviews on amazon.com.

It just didn't occur to me to take pictures during the application of the decals. I was nervous about doing this for the first time.  But it was really, really easy.  Not cheap, but easy. 

What you SHOULD do is just buy the stuff and read the directions.  But I fear you would feel cheated if that was all I said about the process.  So here's a quick overview.

Water Slide Decal Paper
An amazon search of "water slide decal paper" followed by "ink jet" or "laser", depending on your printer, will give you the choices.  Mine's ink jet, and I bought 10 sheets of "clear" for under $12.  It also comes in white, but clear is what you need.   I used two sheets for the Shield Maiden.

• Print your text and images on the decal paper

Oh, how simple that sounds.   Actually the hardest part of this process was the image manipulation, and we'll talk about that after the quick tutorial.

Clear coat, about $7, keeps the ink from running when you later dip the decal in water.

• Spray your decal paper with clear coat.  Let dry.  Spray again.  Let dry.  Repeat a third time.

Then

• Cut out individual motifs.  One at a time worked best for me.

Micro Set setting solution
Helps the decal adhere to the surface.  Under $6.

•  Paint this onto the surface where you will be applying the decal.  Does not matter if you go "outside the lines". 

 Small Bowl of Water

• Put the decal-paper motif into the water.  In less than a minute the decal will be easy to slide off of the paper, and it is easy to tell when this happens.
• Slide the decal off of the paper and onto the machine surface.  Upright or flat, no problem

Fingers and a Brush or Sponge  

• Smooth the decal from the center out.  
• Fingers first to smooth it out and begin to get the air bubbles and water out
• Then dab at it with a brush or sponge to finish that job

Micro Sol setting solution 
Softens the decal and allows it to meld with the surface.  $6.25 at time of publication.

• Paint a very small amount of this on the top of the decal.  Use the brush to dab at it a bit and assist that melding process.

• Do the next motif the same way
• When all of the decals are applied and have dried, spray the whole machine with the same clear coat you used on the decal paper.  Let dry, repeat.  And again
• You will need to tape over any holes and openings.  Photos below

At this point I have just about doubled the purchase price of the machine!  But I only used a fraction of the Micro Sol stuff.

The Creation of the Shield Maiden

All that technical how-to stuff is easy.  To me the interesting part is the design process.  And here I did think to take photos.

The selection of the paint color for the machine (Rustoleum hammered copper) resulted from the decision to stick to black only as the color on the decals.  I knew that the image selection and manipulation would take an unimaginable amount of time.  No matter what the project, if images are involved it always does.  Add color to the mix and you can easily multiply the amount of time by 20x.  At least I can. 

So black for the images was the first decision.  The sewing machine needed to be a nice contrast to the black.  I also considered the gold hammered Rustoleum, but settled on the copper, which looks to me like a lovely rose gold.

I don't remember consciously choosing Viking and Celtic art as the source for the images.  It was just there from the beginning.  I said that "black was the first decision" because this is a kind of tutorial and one has to start somewhere.  But it was more of a single mental explosion:  black ink, copper machine, Viking art.  All at once.

I tried looking online for images and hated the process for some reason.  Delved happily into books, and you can see them in this post.  And here is the moral dilemma:  I don't feel guilty about scanning and adapting a few images from books for my personal use on my personal sewing machine.  But what if I later decide to sell it?  And what about showing them to you on this blog?  Have I violated the copyright laws?  I don't think I want to know the answer to that question.  I do know that this makes me uncomfortable enough so that I will either use my own images or get copyright free art the next time.  Dover clip art has amazing stuff, including Celtic and Norse art.  Coulda, woulda, shoulda.  

I selected many images that I thought might fit on various bits of the sewing machine, scanned them, cropped them.  Estimated the approximate sizes of the spaces on the machine and adjusted the sizes of the images so they would fit.  I use Photoscape, free image editing software similar to Adobe Photoshop Elements.  But free.

Preview One:  Paper

Printed them out, and cut out many of the motifs for a trial run on the machine.  At this point in time I had not thought of the name "Shield Maiden" for the machine.

I printed out many, many more motifs than I ended up using, and I tinkered with the sizes and printed some of then several times.  This is one of the reasons that projects like this take me FOREVER. 

Selected a font and composed the text.  Choose a font size to fit on the machine.  Printed these and cut them out also.  This is when "Shield Maiden" was born, and this choice eventually affected the choice of images on the machine. 

Blue painters tape holds the paper draft copies in place temporarily.

I previewed several bed decals.  In the end, I choose an image with more fine detail but less impact than the one shown here.  I think this simpler, darker one would have been the better choice.  My one criticism of Shield Maiden is that the black should be more prominent:  heavier lines, darker figures.  And don't think that I don't love the end results, because I do.  Just sharing the process with you.

It took more than one try to get the size just right.

The handwheel decal, on the other hand, has just the right visual weight to it.

Here's another nice dark image that would have looked terrific against the copper.  Sigh.  Instead I chose a slender and delicate sword.  Kind of like a needle.  Get it?

Because a Shield Maiden needs a sword.  And there should be dragons lurking also.  I let myself get carried away, I'm afraid.  And went back to the books looking for swords and dragons.  Image selection and manipulation.  Rinse and repeat.  Like I said, forever...

Preview Two:  Overhead Transparencies

I printed out new and revised images and the text on to overhead transparencies.  I found mine at the thrift store, a box for 50 cents, but amazon has 10 sheets for $6.  This step may not be strictly necessary, but it definitely helped to see the black ink directly (well mostly) against the copper machine.

After this preview, I deleted the surrounding ring and elongated the sword.  Which made it even lighter in weight visually.  And I substituted the sword-and-ring image for the much lovelier but less meaningful image in the preview below.

The clasped hands march all around the irregular bottom of the fiddlebase, but a straight line preview was good enough.

But wait!  What's this?  There is a round flat place for the spool to rest.  There is a hole for the spool pin.  The spool pin is NOT in the center of the round place.  Makes image placement a problem.

AFTER I had made the absolutely final selection of the images, then and only then did I do a final clean up on the images.  Scanned images can have fuzzy edges, images can have speckles that can be removed, etc.

And that pain-in-the-neck aspect of the image manipulation will be completely avoided on my next project, where I will buy some copyright free Dover clip art.  All clean and tidy.

The Decals

After the decals are applied and have dried, you need to spray a protective clear coat over the whole machine.  These photos show the amount of taping I did for the clear coat. I taped over openings and over the chrome parts of the machine that I didn't remove.

The top of the pillar is slightly domed, and the decal had a hard time settling down over it.  The chemical solutions definitely helped but I can still detect a few very tiny crinkles in this.  I would do it differently next time.  A smaller circular image, or an image with a series of rings that could be applied separately.  Or something like a snowflake.

Domed might have been a problem, but just rounded worked fine.  The real manufacturer and model name went smoothly onto the rounded arm of the machine with no problems.

I love these clasped hands.  They also march around the irregular fiddle base.

These were printed out in long straight lines, but cut and applied individually.  Because the ends are rounded it was pretty forgiving.  Look closely and you will see that they line up a bit sloppily.  And it does not matter one bit.

 I really like the idea of the sword pointing downward to the needle of the machine, but again the final decal is too light.  But I do like it.

I decided to cut the bed decal out in one piece, so that the sword placement would be just right.  I don't think you can see it in the photo, but there are a few very tiny air bubbles trapped under the  decal.  I should have either cut them separately (it's easier to get all the bubbles out from under smaller pieces of decal) OR spent more time and attention on that step.  Live, experiment, and learn.

The dragon wraps himself nicely around the pillar.

Notice that the arm is narrower towards the nose and wider towards the pillar.  So how do you line up the text?  Parallel to the top or the bottom (which are not parallel with each other?)  Dead horizontal?  Actually none of the above looked good.  It's almost horizontal, but just not quite.

Here's a simple ring image rather than a full circular image, which would have looked odd with the off center spool pin.

The handwheel is my favorite part of the machine.

For the handwheel I selected an image that had natural breaks in it where it could be cut into small arcs. Those were applied one at a time.  The image is just a bit smaller than the handwheel.  If it was the exact size then each segment would have to fit exactly.  Since it is a pinch smaller there are tiny gaps between the arcs, which gives some wiggle room as you place them.

Summing Up

My original goal was to find a cheap treadle of no particular value and experiment with all the aspects of treadle-beautification.  I painted the irons, I refinished the cabinet, and painted the machine head.  And I made my own decals and applied them.  I experimented with new products and techniques.  I had an absolute ball.  Yes, it took forever, but if you enjoy the process then that is a GOOD thing.  Hey, I'm retired.  Time has a very different meaning after you are retired.

My general attitude in writing this blog is to demonstrate to everyone that anybody can dive into this hobby and have fun.  I learned everything I know about vintage sewing machines in the last few years.  I never represent myself as an expert.  I screw up a lot and like to tell you about it and laugh at myself.  In general, I feel pretty humble. 

But, Boy Howdy, not this time!   This project exceeded my wildest dreams.  All aspects of it look fabulous.  If I do say so myself.  And I do.

But we can still laugh at me.  I have not yet installed the belt, wound a bobbin, threaded it up and tried to sew on it.  So I don't really know if it works.  But it will.  It turns as smoothly as silk. And this one was never really about restoring the machine (although I did all the usual things to the interior of it).  It was all about experimenting.  Playing.

I'm in the middle of a project that has taken me away from sewing and sewing machines.  And now it is time for my annual Christmas CraigsList sale of sewing machines.  This blog will be temporarily hijacked (by me) as I use it to promote the annual income that keeps this hobby afloat.  Last year I broke even (earned as much selling machines as I spent on machines, tools, and equipment).   This gives me strength as my relatives ask "HOW many sewing machines do you have now?"